Friday, September 19, 2014

The Art of Parenting

"Art, not unlike raising children... may entail much sacrifice and periods of despair, but, with luck, the effort will produce something that outlives you." -Michael Kimmelman

"The true artist will let his wife starve, his children go barefoot, his mother drudge for his living at seventy, sooner than work at anything but his art." -George Bernard Shaw


I have a fondness for difficulty. It might come from living in Minnesota (where the weather is perpetually challenging) or it might be a natural flaw in my character. But for all my life I’ve never felt that much is worth doing unless it’s a struggle for me to accomplish it. I’ll run twice as fast to get it done if someone tells me I can’t do it.

This might be why I married a man who is very different from me (an early riser who folds military corners when he makes the bed and only two pairs of shoes). It might also be why I gave birth both times without medication (in retrospect, I could have pondered that choice longer).

It’s definitely why I am raising kids while trying to maintain an art-making habit. My most recent difficulty comes from trying to create art with a newborn in the house. The first year of a baby’s life is the most time-intensive for parents. Late-night feedings, frequent diaper changes, random naps and bouts of wailing (from both the baby AND parents). It’s just a fact of life that most of this falls on me as I’m the primary food-source during this time. So my studio sits empty and hopeful while I’m nursing the baby and ignoring the amount of laundry piling up.

I’m not complaining. As I said, I enjoy difficulty. The enjoyment comes from this: even ten minutes with a sketchbook feels like a sweet indulgence so I treasure it. Sure, I don’t have hours to pour into a painting but I am thinking about art, about how I’m going to change my palette when I get back to my easel, observing the colors in the shadows falling across my baby’s sleeping head. This is a time of introspection while I fold socks and restock the baby wipes.

I am not so preoccupied with Art that I forget to indulge in tickling tiny toes and playing peek-a-boo. A blank canvas is patient in a way that babies are not. I know that Art will forgive my absence as long as I promise to go back to it as soon as my time is more flexible.

In the meantime, I actually manage to sketch when I have a minute or two with a pencil in my hand:

Thursday, November 8, 2012

Extremely Minnesota



I'm very proud to be part of the Extremely Minnesota show at Robbin Gallery (November 10 - December 15) in Robbinsdale, MN.  This is the 16th year of the exhibition and it is free to the public.

Please visit Robbin gallery site by CLICKING HERE.




CORRECTION: Opening Reception and awards will be Sat. Nov. 10, 2 - 4pm.
On Sunday December 16, there will be a closing party from 2 - 4pm.


My painting Släppa i Solen (Relax in The Sun) will be on display along with other artists' works based on life in Minnesota. 


Please come to enjoy the beautiful building, unique art and good company!


Friday, August 24, 2012

Illustrating a Point

"Some people have been kind enough to call me a fine artist. I've always called myself an illustrator. I'm not sure what the difference is. All I know is that whatever type of work I do, I try to give it my very best. Art has been my life."  - Norman Rockwell


I’ve always wavered between a need to paint realistic portraits on canvas and a desire to create illustrations for book covers, stories and graphic novels. For some reason, art critics want artists to focus on one “type” of art or the other; gallery or graphic design/illustration. 
I suspect this is to make their jobs easier, not for the betterment of Art in general.  After all, any type of art can be reproduced in print or on the web these days so the lines are blurred between what is strictly for galleries and what is for illustration.  I’ve seen Rembrandt's work used as illustration and Rockwell paintings hanging in fine art museums.
I’m going to make the brash assumption that Art is Art. What is most important is the degree of skill and technique that is honed to the best use by the artist.
I love painting the human form and human faces. I love nature, light and color. I love oil paint and the deep, time-consuming hours I spend in front of a canvas.  I also love the stark contrast of pen and ink and the warm fluidity of watercolor paint. I love spending hours stippling, cross-hatching and shading.  For me, having the ability to use a variety of tools well is strength, not weakness. I want my style, quality and dedication to show, regardless of my medium.  That is what makes it Art.
And so, without further ado, here are some examples of my illustration work...

Teardrop, watercolor on paper:



Resurrection Mary, pen & ink on paper:  




 Fanatic, a futuristic rebel character...a bit steampunk and wild:




Victoria Gloriana, inspired by Neil Gaiman's excellent Sherlock Holmes pastiche, "A Study in Emerald":


Saturday, July 7, 2012

Mixed media

It's been a long time since I made an update. After the intense preparation time spent on the gallery show last winter, I took a break from painting to study some other interests and to let my energy renew. I drew my friend Amina during this time, just to play and enjoy making something again. 

I love charcoal and chalk; its versatility, high contrast and movable pigment makes drawing a snap. This drawing includes some ink and other organic and dry media. Honestly, I was just playing with a variety of textures and layers:


Amina's Winter, by A.M. Downs 
Mixed media on tinted paper.


I also took on a commission for a pet portrait. Animals are not a typical subject for me because I love the instant connection a viewer feels with human faces and figures. I'm also concerned that an animal portrait might descend into sentimental 'goo' instead of giving a sense of gravity and real feeling of an animal's life and experience. This is the result:


Kissyfur, by A.M. Downs
Oil on board.

Friday, November 4, 2011

Gallery Show: Beauty School Dropouts


I will be showing five new pieces in this group show at Gallery 13 in Minneapolis, MN. 

Opening night is November 12 (7 - 10 PM) and the show will be hanging until December 3rd. 



Please come to see new work (including the painting below), meet some artists and drink some wine!

 
Tyger Tyger by Amanda M. Downs
Oil on Canvas, 40 x 26 inches.


Wednesday, September 21, 2011

Beauty School Dropouts

I will be showing new paintings at a gallery in November.  The group show includes artwork addressing the issues of beauty standards in our culture, aging, weight and the beauty industry. There will be something for everyone, a fun atmosphere and a variety of artistic styles on view. 

Please attend if you are able!  I will be posting photos here after the event.  Here's a sneak peek of one of my paintings in the show:


Opening night information:
811 Lasalle Avenue, Minneapolis, MN 55402
Date: Saturday, November 12 at 7:00pm

If you can't make it to the opening reception, the show will be hanging in the gallery for a month for all to see.  Please feel free to stop in and see the art!  The space is accessible and the gallery staff is friendly.

Monday, September 12, 2011

Underpaintings: Joseph Todorovitch Solo Show at Arcadia Gallery

Fantastic work here. I so admire the color, detail and contemplative nature of his work.

Underpaintings: Joseph Todorovitch Solo Show at Arcadia Gallery: Nymph and Satyr 24X32 I have mentioned Arcadia Fine Art Gallery in New York City in several of my previous posts. It's roster of re...